Saturday, October 1, 2011

Art in Odd Places: 2011 RITUAL

Art in Odd Places 2011: RITUAL features a wide variety of actions, participatory performances, theatrical presentations, public installations, and small and large-scale interventions all of which revolve around the concept of ritual. Happening from October 1 to 10, along 14th Street in NYC. Come and visit the sites and see performances and art installations!

Tuesday, June 14, 2011

Giselle at La MaMa Moves!

East Village Dance Project performs Giselle as part of La MaMa Moves! Festival, 2011.
Performances are on Sunday, June 19 at 2pm and 4pm. Tickets and more information is available at www.lamama.org or call 212-475-7710.

We have performers, aged 3 1/2 to adult performing traditional scenes from Giselle as well as some with a modern twist. Take a look at the pictures of some of them below! (all photos by M. Tornay)






East Village Dance Project is a project of GOH Productions and supported by the NYC Department of Cultural Affairs, Hyde Watson Foundation, Charlotte Ruby Cantor Fund, and private donations. Contact: www.eastvillagedanceproject.com

Friday, June 10, 2011

Art in Odd Places at New Museum's Festival of Ideas


From May 4-8 Art In Odd Places participated in The New Museum's exciting and educational Festival of Ideas for the New City--hopefully an annual event. Here are some pictures of the aiop crew:

The booth

A fountain

News"boy"

Bubblewrap geisha
(photos by Karen Hatch)

Saturday, March 5, 2011

GOH Board Meeting today in NYC!

Welcome to Sherry Erskine, Marika Blossfeldt, Don Trammel, members of GOH Board of Directors, and to Advisor Steve Boss.
Welcome to the new members, Roberta Levine and Farzad Mahootian.

Our first meeting since the Avenue C Studio opened will happen today, March 5.

I am excited to welcome everyone from out of town (Sherry and Roberta) and to the in-town members and new faces. Thanks for coming on board.

with love and care,

Bonnie

Thursday, January 13, 2011

OUR NEW HOME FOR EAST VILLAGE DANCE PROJECT

Welcome to Avenue C Studio!
R.I.P. ELLEN STEWART. Our MaMa of La MaMa. Everyone has a story about Ellen. I met her first in 1975 or so, when I was visiting New York as a budding performer and choreographer. We met numerous times since then. I would catch her as she walked her dog, since I was just around the corner. If you wanted to talk to her, you had to do that. Meet her "by chance" in the morning dog walk time slot, and approach her for a gig, an idea, a festival, a chat, a kiss, a hug. Whatever it took. We fought. Everyone fought with her. We had one big one in 1989, but I went back. I brought projects from various corners of the world to Ellen. Between Ellen Stewart and Beate Gordon (who became my "real" boss at Asia Society in 1982), I had two Mamas, who I wanted to be like when I grew up. I now feel obligated even more than ever, to continue to work, across borders and across so-called enemy lines. Ellen, your spirit will continue to move me forever. I am blessed to have known you and learned from you.

here is the obit from Time Out NY today:



Ellen Stewart, who died this morning at the age of 91, was a force of culture. When she founded La MaMa back in 1961, Off-Off Broadway theater was in its infancy; in the 50 years since, she has been a vital agent in its growth and expansion, and up until just a few years ago she could still be seen regularly at her East Village drama center. A lifelong internationalist, Stewart helped introduce America to the work of Jerzy Grotowski and his Eastern European contemporaries in the 1960s, and La MaMa's archives are like a geological cross-section of theater innovation. Adrienne Kennedy, Israel Horovitz, Tom O'Horgan, Andrei Serban, Charles Ludlam, Elizabeth Swados, Mac Wellman, Ping Chong, John Kelly, Robert Patrick, Julie Bovasso, Taylor Mac, the Talking Band and Mabou Mines are just a few of the countless artists she helped wean in her peerless career. Stewart racked up many awards, including Japan's Praemium Imperiale and a MacArthur Foundation "genius" grant, but her greatest honor lay and lies in the incalculable influence of her passion. Off-Off Broadway has lost its mother, but her legacy is everywhere to be found.